The Trophy Presentation Inferno: Boos, Middle Fingers, and A’ja Wilson’s Viral Stare Down

The 2025 WNBA Finals, culminating in a dominant sweep for the Las Vegas Aces over the Phoenix Mercury, concluded not with a moment of unified celebration, but with a powerful, televised display of fan and player contempt for the league’s top leadership. The center of the storm was WNBA Commissioner Cathy Engelbert, whose appearance on the court to present the championship trophy was met with a chorus of deafening boos and a highly visible act of fan defiance.

The Hostile Reception

As the Las Vegas Aces gathered at center court for their third championship trophy presentation, the atmosphere quickly turned hostile when Commissioner Engelbert took the microphone. Fans, a mix of Aces supporters and those frustrated with the state of league governance, showered her with loud, sustained boos. The reaction was an immediate and visceral response to weeks of rising tension between the WNBA Players Association (WNBPA) and the league office, particularly over the looming Collective Bargaining Agreement (CBA) negotiations and controversial remarks attributed to Engelbert.

The moment escalated when a fan was reportedly seen flipping a middle finger at the commissioner. Eyewitness accounts and screenshots circulated widely after the game suggested that the national broadcaster, ESPN, attempted to cut away or blur the shot to prevent the offensive gesture from being broadcast widely, highlighting the extreme nature of the public’s frustration.

A’ja Wilson’s Priceless Reaction

Adding to the controversy was the reaction of Finals MVP A’ja Wilson, the Las Vegas Aces superstar who had just cemented her legacy with a third title. While Engelbert was being booed, cameras showed Wilson in the background with a notable expression—a mix of amusement, cringing, and silent acknowledgment of the fans’ anger.

The look, which immediately went viral across social media, was widely interpreted as Wilson’s tacit endorsement of the fans’ protest. Other Aces players were noted to have theatrically grimaced or avoided interacting with the commissioner altogether.

The Player Backlash: ‘Don’t Play in Our Faces’

The public hostility was not limited to the fans. The booing during the ceremony was a direct result of a campaign of criticism led by WNBA players. The week prior, WNBPA Vice President Napheesa Collier had delivered an explosive critique, calling the WNBA’s leadership “the worst in the world” and accusing Engelbert of making dismissive and inflammatory comments. Collier alleged that Engelbert told her that WNBA players should be “on their knees, thanking their lucky stars” for the league’s recent media deal, and suggested that star players like Caitlin Clark should be “grateful” for the platform the league provides. Engelbert has denied making the comments about Clark.

In the post-game press conference, A’ja Wilson and her teammate Chelsea Gray made their stance on the commissioner clear, turning the celebratory moment into a platform for player rights.

Chelsea Gray stated bluntly:

“When you have great players, you need to treat them like that, and that’s top to bottom… We have legends that you guys get to witness every day. When we have a league full of people like that, it needs to be treated as such.”

A’ja Wilson, adding a more direct and viral comment, chimed in:

“Don’t play in our faces.”

Wilson was also seen shaking a pink tambourine during the press conference after answers she approved of, a playful yet powerful demonstration of the players’ defiance and unified front.

The entire incident—the loud boos, the fan’s middle finger, the network’s reaction, and the players’ outspoken comments—underscores the severe nature of the current labor dispute and the breakdown in trust between the WNBA’s players and its commissioner just before the critical expiration of the Collective Bargaining Agreement on October 31. The moment was a definitive illustration that the fight for better pay, better treatment, and a fair share of the league’s burgeoning revenue is now a public, emotional, and highly-charged battle.