### Jaguar Wright Drops New Bombshell About Michael Jackson’s Death

Fifteen years after Michael Jackson’s passing, the King of Pop remains at the center of numerous controversies. Recently, singer Jaguar Wright reignited the debate with new claims about the circumstances surrounding Jackson’s death, hinting at deeper, more sinister forces at play in the music industry.

Wright, known for her outspoken views on the entertainment industry’s dark underbelly, made startling revelations in a recent interview. She suggested that Jackson’s tumultuous childhood and subsequent treatment by industry elites significantly contributed to his downfall. According to Wright, Jackson’s early years were marred by exploitation and abuse, orchestrated by those who stood to profit from his immense talent.

One of Wright’s most shocking claims involves Suzanne de Passe, the woman who discovered the Jackson 5. Wright alleges that de Passe handed Michael over to powerful figures in the industry, leading to a cycle of abuse that haunted him throughout his life. These allegations, while not new, gain renewed attention in light of recent discussions about exploitation in the music industry.

Wright also pointed fingers at Michael’s father, Joe Jackson, known for his strict and often harsh discipline. She suggested that Joe’s authoritarian parenting style contributed to Michael’s low self-esteem and his difficulties in forming healthy relationships. This narrative is supported by anecdotes from those close to Jackson, including comedian Eddie Murphy, who recounted Jackson’s anxiety and tendency to withdraw from social situations.

The controversy doesn’t end with Jackson’s childhood. Wright claims that as Jackson’s fame grew, so did the industry’s attempts to control him. She posits that Jackson was becoming too powerful and independent, prompting industry giants to orchestrate his downfall. This theory aligns with Jackson’s own public statements in the early 2000s, where he accused his record label, Sony, and its then-chief executive, Tommy Mottola, of exploiting and undermining him.

In 2002, Jackson shocked fans by calling Mottola a “devil” and accusing him of racism and unfair treatment during a speech in New York. Jackson’s fans have since speculated that his outspoken criticism of Sony and the music industry led to retaliatory actions against him. Wright’s claims echo these suspicions, suggesting that Jackson’s tragic end was not merely the result of personal issues but a calculated effort by powerful industry figures to silence him.

Wright’s comments also bring Sean “Diddy” Combs into the conversation. She draws parallels between Jackson’s experiences and the allegations of misconduct that have surfaced against Diddy. Wright suggests that Diddy, like Jackson, was a victim of industry exploitation but reacted differently, allegedly perpetuating the same abusive behaviors he endured.

These revelations underscore a broader pattern of exploitation in the music industry, where young artists are subjected to abuse and manipulation by those in power. Wright’s claims, while controversial, highlight the need for greater scrutiny and accountability within the industry.

Michael Jackson’s story, as told by Jaguar Wright, paints a grim picture of a talented artist trapped in a web of exploitation and control. While her allegations may not provide definitive answers, they reignite crucial conversations about the darker aspects of fame and the music industry. As fans and observers continue to seek the truth about Jackson’s life and death, Wright’s bombshell revelations add a new, unsettling dimension to his legacy.